Another Exciting Project with Sally DeFord
I am repeatedly astounded by how the pairing of music, lyrics, and images adds a new level of magic that you can feel! If you’re ready to see (and hopefully feel it), get it here!
If you’d like to see more of the painting time-lapse, you can watch it here.
If you just want to know more about the process, keep reading!
Not Too Literal, But Just a Little
The last thing I want to be is a literal painter. My initial dream was to be one of the Gorgeous Ladies of Wrestling, but my career was sidelined when I suffered third degree burns in a freak accident involving a fresh batch of onion rings. Mmmmmm, onion rings.
I prefer images that use imagination, metaphor, and symbolism . . . but then it’s a whole lot harder to figure out what to paint.
Early on, I became fixated on having the ocean represent the theme of water in the hymn. And, of course, there had to be a literal rock, but I put it at a distance to symbolize a process, a journey. You can read more about the symbolism on Sally’s blog post.
(Incidentally, I patterned the rock after Shiprock in New Mexico – a “ghostly galleon upon a midnight shore”, because the first time I ever saw it, it appeared to be ethereally floating above the ground. Desert illusions are awesome! But don’t lick the toads!)
Looking for Help
I have never painted water before. Forging ahead in a new frontier can be scary or at a minimum frustrating. You never know when a path you take is a dead end, will ruin your marriage, or, even worse, destroy your painting!
Practice sketches help a lot (we’ll get to that next), but having a teacher goes a whole lot further. That’s when I found Andrew Tischler, a master at painting the ocean. I’m almost loathe to show you his work because I don’t want to invite the comparison (so please don’t). What he does with waves is breathtaking!
I am amazed by the painters who can grasp water’s ever-changing shapes, texture, and colors. Usually, I might. . . might create one rough draft. In this case, I made eight! And four more gentle drafts. I had to practice everything.
*click on the gallery to see my comments on each one.
Small Canvas, Big Ideas
During school, the mantra was, “Use the biggest brush you can to get the job done.” This helps preserve a looseness and a more interesting interpretation of the subject matter. You might be quick to point out that I use tiny brushes. The painting is only 9×12 inches (the smaller the faster) so little brushes seemed necessary. I think I was still able to maintain expressive brush strokes. Take an up-close peek and tell me what you think:
And Now, Get Ready for the Show!
Here’s the best part: watching it all come together. Sit back and relax. This goes best with popcorn.
(FYI this is not the collaboration, click here for that video. There was so much footage that couldn’t be used for the hymn, but I also didn’t want it to go to waste like my onion rings on that fateful day.)