“Efforts and courage are not enough without purpose and direction.”

“Efforts and courage are not enough without purpose and direction.”
As much as I’d like to have a set (aka repetitive) curriculum in place, that’s not how I operate. Sure it would be stable and less work, but I need variety! So I test new ideas and projects out on my students. The caveat being some projects have unpleasant surprises – the pixels portrait’s being how much time it was taking.
I designed this project to delve deeply into color mixing and matching. Here are the basic steps to get everyone on the same page:
These are the only colors I allowed (and all that was needed):
There are many right ways to mix color, but I wanted the students to develop a consistent workflow so I set up this pattern:
Anytime a student was struggling I asked the same questions in the same order. What color are you seeing? Is this paint the same value . . . does it need to be lighter or darker? Now does the color lean towards red, blue, or yellow? What is the temperature?
So we didn’t finish. So we were only completing about 15 squares an hour (out of about 250). So we may never finish.
Was it a bad project?
This exercise mimics the color chart practice recommended by Richard Schmid (one of my favorite artists and an incredible teacher).
I cannot emphasize enough how much the students learned and are still learning. They grew much more comfortable with getting the color they wanted. They got much faster. And they started to learn color relationships better.
Let my get up on my soapbox for a minute and extoll the virtues of painting for everyone! There are so many decisions to painting from color, values, tone, edges, contrast, warm and cool, etc that the mind gets a hefty workout. Color mixing is so mentally taxing that a two-hour class is a smidge too long. . . by the end of class, I could see my students wane and their decision making skills falter.
A tired student is a great success!
Because of how long this excercise was taking, I began helping the students on their outside pixels. I made sure their focus was on the skin-tones as I helped with the edges.